The Triverse is
Mid-Earth, an alternate 1970s London
Max-Earth, a vision of the 26th century
Palinor, where magic is real
Previously: A raging koth attacked a busy street in London in the early evening without warning, seemingly targeting bystanders at random and stopped only by the quick actions of Ganhkran, another koth who was in the area at the timeā¦
Night shift
On duty: DC Yannick Clarke & DC Frank Holland
London.
1974. June.
The morgue served as a buffer between life and death. Those that went there against their will were already gone but had not yet been released to their families. They were no longer alive, nor were they to be buried or cremated. There would be no funeral until the coroner permitted it. Clarke had never liked the place, though it was better than a hospital - at least nothing bad could happen in a morgue; the worst had already taken place by the time somebody arrived.
Dr Steven Wong buzzed about the examination theatre looking very much like an excited schoolchild with a new toy. The table in the centre had been extended to accommodate the hulking body of the koth. Another, smaller table displayed the kothās dismembered arm. Attempts to neutralise the smell of death were failing, though the chilled temperature at least dampened the sensation. Clarke wrinkled his nose and watched.
āShit, look at the size of that thing,ā Holland said, leaning against the tiled wall.
āThey were a person,ā Clarke said, feeling awkward, ānot an animal.ā
āI didnāt say they were an animal. I said āthingā. Everyone is a āthingā once youāre dead. Lump of meat.ā
Clarke said nothing. He wasnāt good at calling out Holland, or anyone else. Styles always knew how to do it, how to cut through the bullshit. Clarke felt like a fraud. Secretly, inside, he was terrified of koth. He looked at the body on the slab and saw a monster. Heād been glad to show up at the scene after it had already been neutralised. The kothās arm lay on its little metal island, disconnected from its body, looking like a halloween prop. It reminded him of Callihanās head, bouncing off the railing. Humans come apart easily, heād seen it enough times in the job, but it wasnāt every day you saw a koth in pieces.
āNo signs of intoxication,ā Wong said. āNot detecting any legal or illegal substances that might have affected their behaviour.ā
Holland snorted. āSo just an honest-to-god homicidal rampage?ā
āThatās for you to figure out, detective.ā Wong moved around the table. āJudging from the horn length and diameter I think weāre looking at a relatively young koth. Perhaps early thirties.ā
āWhy do something like this?ā Clarke took a deep breath. āWith everything else going on, why would a koth draw this much attention on their community?ā
āMy guess,ā Holland said, mouth curled into a subtle sneer, āis that this guy wasnāt really thinking about the socio-political impact of their actions.ā He held up his hands. āI mean, I could be wrong. Maybe this one-armed motherfucker was actually Plato the Koth. Or maybe he just liked breaking shit.ā
Sensing his temper rising, Clarke made a move for the door. āCall if you find out anything interesting, doc,ā he said.
The London summer was wet and close, the early morning mist never quite managing to fully evaporate. Instead it hung around at head-height, clammy, lingering on skin. It was dark, a couple of hours after the attack over on Mayfair. The city was unusually quiet for a Friday night; the pubs were only half-full, and there were no queues to get into clubs and late night bars. Everyone had heard the news and decided to stay home. Didnāt make any logical sense, Clarke thought, but thatās people for you.
The other koth, the one that had interceded, was being held for questioning at a nearby station. They were shown through to the interview room, Clarke mopping sweat from his forehead with a handkerchief. The sun was down but the humidity lingered. The city was generating its own heat.
Bruises were apparent on the kothās skin in places where their scales were thinner. Clarke could see some of the thicker plates were cracked around their shoulders. āHow are you feeling, Ganhkran?ā Heād practised saying the name in his head several times on the way over.
The face that looked up from the chair was tired. āHow long am I going to be here? Iāve already talked to two other police officers. I donāt have anything else to add.ā
āWeāll be the judge of that,ā Holland said, taking a seat opposite. āWhy were you in the vicinity of the incident earlier?ā
Ganhkran stared for a moment, clearly incredulous at being asked. āI was having dinner.ā
āBy yourself?ā
āWith colleagues. I work in the city.ā
āWhatās your job?ā
āFinance. Itās not interesting.ā
āI bet it pays well.ā
āI am paid a good wage,ā Ganhkran said, āthough Iām sure itās less than most of my human colleagues.ā
āMore than what I take home, either way,ā Holland said.
Clarke sat down next to Holland. āHave you been seen by medical staff?ā
āIām fine,ā Ganhkran said, touching a finger to the side of their head. āAre you attempting āgood cop, bad copā?ā
That hadnāt been Clarkeās intention, though the koth had a point. He and Holland slipped into those stereotypes without even trying.
Holland waved his hand dismissively. āDid you know the attacker?ā
Ganhkran frowned, then laughed quietly. āWhy would I know them?ā
āWell, you knowā¦ā Holland shrugged. āMaybe you go to the same church.ā
āNo, I did not know them. Just because we are both koth does not mean we automatically know each other.ā
āNot even run into each other in the community? On the convention circuit. What, Kothcon? Palinor reunion get-together?ā
āI came to Mid-Earth when I was an infant, detective. I have no memory of ever being on Palinor.ā
Holland was deliberately riling up the koth, and Clarke wasnāt sure why. They werenāt a suspect, with the other witnesses and Goldingās crew already providing a clear outline of events. Maybe Holland had something he needed to get out of his system.
āWeāll let you go momentarily, Ganhkran,ā Clarke said. āEven if itās just speculation, do you have any idea why this might have happened?ā
āWhy? It would seem to me that they were angry, detective.ā
Holland chuckled. āWhen Iām angry I kick over a bin on the way home. I donāt murder a bunch of people and torch an entire street of shops.ā
Ganhkran ignored him and continued to look to Clarke. āPerhaps they were angry about not being able to get secure employment. Perhaps they were angry at being unable to apply for state support, due to being non-human. Perhaps they were angry at not being allowed to vote, despite living here for years and paying taxes. Perhaps they were angry at being sick from your climate and your bad food. Perhaps they were angry at being jeered at on the street, at being called names. Perhaps they were angry at your politicians smearing us and scapegoating us at every turn, even while denying us basic rights? Perhaps they were angry at the way you all sleepwalk into fascism, welcoming each turn of the screw like some sort of warm embrace? Perhaps they were angry at the newspapers making up lies every single week, calling us child killers and sexual predators and devils. Perhaps they were angry at āfunnyā cartoons presenting us like the demons from your ancient mythology.ā
āCome on, Ganhkran,ā Holland said, ātell us what you really think. And let us not forget that the perp weāve got on the slab is, in fact, a child killer and a predator. They literally just killed over twenty people. Also, I donāt think that fucker was paying much in taxes.ā
There was a silence. It occupied the room, swelling, filling it edge-to-edge, to the point that Clarke thought it would push the door from its hinges and crack the glass. He half expected Ganhkran to reach across the table and tear Hollandās spine out of his back. Then, Clarke hated himself for even thinking such a thing.
God, he missed having Styles around.
āAny other questions, detectives?ā
Holland shook his head. āNothing from me. DC Clarke?ā
āCome with me,ā Clarke said, opening the door to the interview room. āIāll see you out.ā
Squeezing through the too-narrow doorway, Ganhkran followed Clarke through the police station, drawing stares from every officer. The walk to the exit felt endless, but finally they were out onto the street.
āIām sorry,ā Clarke said. āIt canāt have been easy.ā
āMany terrible things happened tonight, detective.ā
āAs I understand it, it would have been a lot worse if you hadnāt been there.ā
Ganhkran stared down at him, their black eyes glinting in the streetlight. āI appreciate that youāre trying to be enlightened, detective. I can see you wrestling with it. The likes of you will not be enough to prevent whatās coming.ā
There was a tightening in Clarkeās guts. āWhatās coming?ā
āMore of this,ā Ganhkran said, waving a hand at the city. āMore of all of it. Youāre trying to see me as a person, but youāre struggling. Most people, they wonāt bother. They see one koth, they see all koth.ā
Looking down at the pavement, Clarke nodded. āAre you going to be safe getting home?ā
āOf course,ā Ganhkran said. āIām a koth.ā
Then he spread his wings, smiled sadly, and lifted up into the night sky, vanishing to a bat-like silhouette before disappearing over the rooftops.
Thanks for reading!
Yesterday I was startled to read this:
Itās an interesting article by itself, exploring genre definitions and how they get assigned different cultural worth, but near the end it segues into a celebration of Substack fiction and includes a mini-review of Triverse. Iāve had many lovely comments on individual chapters, but I think this is the first time Iāve seen an assessment of the project as a whole.
In particular, I canāt get enough of this quote from Daniel:
āBut, mostly, it just a cracking urban fantasy science fiction version of The Wire with the twist being anything is possible and nothing is as it seems.ā
Thatās essentially a better blurb than the one Iām using, and I might have to steal it.
Stumbling on a review - especially a positive one - is a weird experience, triggering all kinds of responses. First excitement, then disbelief, followed by a sort of humble quietness, gratitude and an inner calm. Primarily, it makes me think oh, Iām doing something right.
At some point somebody will write a negative review of Triverse. Iām not looking forward to that.
MEANWHILE, Iāve been busily planning out the future of this Write More newsletter. There will be changes coming. Good ones, I think. More stuff for free readers and, crucically, more stuff for paid subscribers. Iām excited.
In unrelated news, Iāve started playing Return to Monkey Island, which has one of the cleverest retcon narrative twists Iāve ever seen. I think I might have to write a Small Talk article about it.
Fancy some free ebooks? Check out these promos, which Iām taking part in:
Author notes
Triverse stories quite often turn out to not be about what they initially seemed to be about. āRandom acts of violenceā is a case in point, as it is now shifting into examining the everyday acts of violence against people - not necessarily physical violence, but a continual aggression and lack of acceptance.
Thereās at least one more instalment for this storyline. Triverse stories have a lot of flex within them, often taking longer than I expect. Youād think after doing this for a year and a half Iād have a better handle on the pacing. Part of it is due to Triverse being my first āadultā project, I think. My three previous books were all snappy page turners, with much tighter pacing and more overt action. Triverse tends to be a bit more introspective, and is much happier to spend an entire chapter in conversation with characters, or even following a single characterās inner monologue.
That took a good while for me to wrap my head around. In the early days of writing Triverse that shift in priorities and pacing felt quite alien and a real challenge, especially while I was also figuring out how to tell detective stories. In the case of āRandom acts of violenceā, I expected the first two chapters to be a single opening chapter, but that expanded into two: I could have reduced it, but that might have meant cutting the insights into Ganhkran.
At some point in the far future Iāll edit Triverse into a book form, so itāll be interesting to see what I keep and what I cut during that process.
Y'know, I have no real comments this week. Basically, I was mulling over Clarke's internal struggle with his own biases and prejudices and appreciating his efforts to overcome them.
Then Ganhkran hung a light on it. Nothing left for me to say, other than, oof, that was a hell of a speech in the interrogation room.
Also, Holland is a dick, but we all know that.
There was a chapter that didn't get me excited (or part of it?) - perhaps it was because of the 'monsters' aspect, which I tend not to read or engage with. Funny, because there's a 'monster-ish' aspect to my Sci-fi saga I'm publishing at the moment. Not the one on Substack. I guess the thing that keeps me reading Tales from the Triverse is the detective aspect; loving it.
@MikeMiller below, there's always a 'dick'. There's always someone who pushes the MC's buttons letting the reader see more of who the character is/characters are on the inside. There less 'wooden' I think expression is. I don't recall, but does Holland have a chapter all his own? Where we see just how much of a dick he is and how much shit he can get into?
But the point about socioculturalism is always a good one. It can change the arc a character follows of course, but watching a character struggle is always 'fun', even if they don't change and their end is clearly seen from day one. You think to yourself: "Oh, this motherfucker's attracting bad." Take a swig of your coffee and keep reading to find out how.