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I remembered the basic premise of this episode but had forgotten almost all of the details, which made for a rather delightful viewing experience. As a teenager, I suspect I rewatched all the big space battle episodes over and over, but skipped the more cerebral stories.
Bester showing up was a surprise. Remembering that this is the episode in which G’Kar invades Londo’s mind — I’d got it muddled with ‘Convictions’, when they’re trapped in the elevator together. I’d entirely forgotten that Kosh was manipulating G’Kar’s trip.
There’s a lot of very, very good material in this one. I’ll jump straight to the highlight for me, which is the overwhelming supercut of Londo’s life as it blasts into G’Kar’s mind: the way it’s put together, with the fast cuts and the aggressive score, makes for a staggeringly effective sequence. Compressing Londo’s misdemeanours into twenty seconds makes them all the more horrific.
This is the moment G’Kar realises just how deeply involved Londo has been in his people’s subjugation. It’s the first time anyone on the show has properly known that he’s in league with the Shadows. Those revelations are immense, especially for G’Kar.
It’s obvious and somewhat redundant to note that Andreas Katsulas and Peter Jurasik are exceedingly good actors. But there it is: they’re the best performers on the show, by far. Katsulas in particular bounces between so many tones and styles, which shouldn’t really come together but absolutely do — especially when he’s up on the throne inside Londo’s mind, alternating between the tragi-comic delivery and deadly serious. Director David J Eagle puts together a great show, with inventively composed shots and scenes, especially during the dust trip when scenes and movements blend into one another.
It had also slipped my mind that Vir returns in this episode. We see again his loyalty to Londo, a friendship that can’t be shaken. It’s an interesting moral question: does Vir’s friendship serve to give Londo permission of sorts? They vehemently disagree on so much, yet remain friends. Vir repeatedly tries to counsel Londo, to pull him back to the light, despite all the awful things he does. It’s a relationship that stands out as being unusual especially in 2025, in an era when polarisation has reached such extremes that many of us have forgotten how to agreeably disagree.
All of this is without getting into Bester’s return. While he doesn’t actually do much in this episode, compared to previous appearances, he is a useful spanner to throw into the works, forcing the command staff to think fast. He’s a catalyst through which was glean insights into Sheridan, Ivanova, Garibaldi and Franklin. Ivanova is willing to throw everything away to kill a Psi Cop. Garibaldi is disgusted by Bester, but has no answer when Bester points out their similarities as figures of authority. Franklin is running on the edge throughout the episode: you can feel him reaching for the stims in his desk, even if he resists on this occasion. Bester becomes more of a rounded character, rather than simply A Baddie. Sheridan, meanwhile, is struggling to hold everything together, especially with Nightwatch running around.
Nightwatch always felt a bit on the nose back in the 90s. In 2025? Not so much. Over in the US, books are being banned from schools, cartoonists and journalists are quitting newspapers over censorship, the incoming president expects undying loyalty, double-speak is the norm, misinformation the currency: the surprise with Trump’s movement is that they’re not subtle, and don’t need to be subtle.
It certainly feels like something is about to explode.
Oh — plus we get some acknowledgement of what happened to Talia. Though it still feels underplayed: there’s little mourning for what was essentially the death of a colleague and friend. Instead, it’s treated more as a lucky escape.
Next up is ‘Exogenesis’.
‼️ SPOILER STUFF ‼️
The main thing I’d forgotten was how much this episode changes things.
We have G’Kar in prison (I’d entirely forgotten why he ended up in prison!). Franklin edges closer to his stim problem. Bester and Garibaldi start to form an odd connection. G’Kar now knows about Londo and the Shadows. G’Kar is fully on the path now, having danced around it in recent episodes. We have a significant new appreciation for Londo’s past, and why he was so desperate to seize power and significance when he met Morden. More examples of experiments on telepaths. Sheridan and Hague’s secret rebellion is clearly not going to be a secret for much longer.
And Kosh, still pulling the strings. I love the moment when G’Kar’s father says “I have always been here,” which made me sit up straight, point at the screen and shout “Kosh!” I like that it’s signposted just before you see Kosh lurking in the corridor.
Non Spoilers
Ah, let's give it up for Walter Koenig. Bester is scum, but Koenig brings such charm and humor to the role at times you almost ALMOST start to like and respect the Psi-Cop until, in the unguarded moments, he reaffirms being scum. Bester gets to run through an entire spectrum of shades - calm arrogance on his "I'm arriving" message, true anger on boarding B5, true surprise at being stymied by Minbari telepaths, his beautiful bluffing during the interrogation scene, followed by getting in (more) digs at Garibaldi on authority and intimidation, and, of course, the best joke of the episode - the piñata exchange. Then a little exposition at the end with the other Psi-Cop (Koenig's real wife returns after her s1 cameo in the Ironheart episode).
So - do we think Talia was REALLY dissected, or was Bester just trying to anger the B5 command staff? Or both, of course. It's likely Psi-Corp DID dissect her, given Ironheart boosted her powers, and Beater deliberately "let that slip" to provoke emotion.
Nightwatch scenes just make me sad and angry when I must continue to reflect that a good third of the US population really is that stupid and/or evil. I type this Jan 18, 2025. The Trump administration has already stated they intend on a large-scale deportment sweep in Chicago on January 21'st. The US fall into fascism and oli/klepto/kakistochracy took no time at all. The only question there is if the real powers in the US will let chaos agent Trump die in office, or 25th Amendment him and get pliable puppet Vance in the office.
But I digress.
Richard Biggs is doing well at subtly portraying Franklin's addiction issues. Franklin is still high-functioning - he IMMEDIATELY sees the Dust connection between the two patients - but his temper is certainly fraying. Not just snapping at people in Medlab, but at the command staff when rejecting the proposition to kill Bester. Even his, "maybe we SHOULD just wound him..." Season 2 Franklin would have said that with resigned humor and a smirk for Ivanova. Season 3 Franklin meant it.
Director David Eagle has some fun staging the POV drug shots and moving characters around in the trip sequence. I expect only Simon may get that my mind did flash to Tom Cowles shouting "HOLY CHROMATIC ABERRATION!" at one point. Trust me, possible other reader, in context I've ended this comment on a rather amusing reference.
Non-Spoilers:
Yes, yes, Jurasik and Katsulas are the strongest performers among the regular cast. They could read the Substack Terms of Service at each other and rivet the audience in place.
Jim Norton as the Narn figure makes a welcome return. He's just so damn solid a performer! He's so warm it's easy to overlook how disturbing it is that Kosh is setting up G'Kar to use his people as expendable foot soldiers. The Vorlons are manipulative. JMS has read his Tim Leary - the immense and obvious changes in G'Kar from his acid trip are classic 1960's pharmapsychology. G'Kar's guilty plea is no surprise for a Narn of honor. His quiet, blissful accepting smile is something else. One episode before G'Kar would have pled guilty, but resentment and rage would be under the surface.
Hi, Vir! Good to see you again! As a side note, Vir's Minbari tunic - the glyphs on the front spell "ALOHA" in Minbari characters. The costume department's own little joke. Although I believe the script did say Vir wore "the Minbari equivalent of a Hawaiian shirt."
The Vir/Londo relationship is, of course, complex. I merely observe that a socially awkward misfit like Vir might form near unshakable loyalty to that first authority figure who gives them any affection, affirmation, or respect - which Londo does. I may be speaking from experience. While Londo doesn't often appear to listen to Vir, Londo's relationship with Vir is, at this point, about Londo's only redeeming quality.
Londo's initial corrections to Vir's report are simultaneously funny, disturbing, and sweet. The lines are funny, the propaganda disturbing, the education of the protege sweet.
And no one wants poor Vir to have his arm broken by a raging Narn.
Side note on Narn strength - Vir isn't small. A one-hand lift is impressive.
Ivanova's loyalty to her friends is commendable, even if I can't approve of her willingness to commit murder. I do think the monologue is a bit clunky. Here is a writing concession to new viewers. By now we know her well enough the speech shouldn't be needed. Just kick everyone out of C&C, have a moment of quiet contemplation, then target the defense grid...