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A melancholy lies upon this episode, turning every scene to tragedy and regret. A sparkling script keeps things light regardless, but this is really about living with decisions that have already been made and which cannot now be reversed.
I remembered the alien probe with the trick questions, but almost everything else about this episode has slipped from my mind. Which I suppose says something about my teenage brain. This time round, the alien probe was clearly the ‘filler’ part of the episode, and it’s everything else that makes the episode special.
And it is quite special: it’s a highly successful melding of a standalone and arc stories. It feels like a self-contained piece, despite being full of long-term plot and character details. ‘A Day in the Strife’ is strong evidence that Straczynski was onto something with the Babylon 5 concept: it’s an episode that couldn’t exist without the multi-year structure, but it remembers to be individually satisfying as a singular episode. In that combination, it’s more successful than a lot of more modern shows, which are so obsessed with the long-term plot that they forget about the episodic parts.
The arrival of the new liaison is unexpected and immediately awful. Stephen Macht plays Na’Far with perfect poise, never tipping over into being a Baddie: yo completely understand his point of view and his efforts. Na’Far is a contradiction, being simultaneously someone who cares deeply about his people and a traitor to those same people. Does he believe he’s doing the right thing, or is he trying to convince himself as much as the other Narn?
G’Kar, of course, is in a similarly compromised position. If he stays, he risks families back on homeworld. If he leaves, he risks the entire resistance movement. There is no right or wrong response, although he’s ultimately driven by his commitment to life and those around him: G’Kar would always sacrifice himself rather than others. It’s only when the other Narn on the station make the alternate decision for him that he concedes.
Meanwhile, every scene with Londo is a picture of tragedy and regret. His treatment of Na’Far is shocking, and despite all the things he’s done to date this is perhaps the first time I’ve thought of Londo as a bad man. All his other decisions had elements of ignorance, or naivete, or he didn’t realise the consequences…none of which excuses what he’s done, but they are factors in how those decisions were made. None of that is present in the scene with Na’Far: here, Londo is nasty, and a bully, for no other reason than he can. He wields power in a grim fashion.
Immediately afterwards, he decides to ship Vir off to Minbar. It seems that Londo finds it easier to send Vir away than have him hold a mirror up to his behaviour. Even then, he can’t escape Delenn’s judgement, and her scathing, total dismissal of his suggestion that they had once had a friendship.
Oh, and there’s also a sub-plot of station logistics, which feels like a shoutout to ‘By Any Means Necessary’. We get to see Sheridan being bold, determined, and that attitude filters through to his decision about the probe. This is the Sheridan that has a chance against the looming war(s).
Wait — there’s also Franklin struggling with his stim usage, and lying to Garibaldi. Their scenes are well played, it feels like two old friends dancing around an awkward subject, neither of them good at discussing it. It continues the feeling of sadness that permeates the episode: of futures and hopes slipping away.
I nearly forgot that Ta’Lon is back, now with a proper name. Marshall Teague is fantastic in the role, and it’s fun to have a little connection back to that season 2 episode.
There’s so much in this episode and it all hangs together very neatly. The dialogue is sparkly, the performances are brilliant, and there’s room for all the best characters. It’s an examination of stress, and how each of those characters handle it.
I didn’t expect this to be one of my favourite episodes, as I never paid much attention to it back in the day or on previous rewatches. This time round, it surprised me.
Next up is ‘Passing Through Gethsemane’.
‼️ SPOILER STUFF ‼️
Although he’s been on the journey for at least the last season, I think this is the moment G’Kar becomes who he was born to be. The last vestiges of Gangster G’Kar from season 1 are gone. We also get Garibaldi’s friendship with G’Kar showing up again, which has happened mostly off screen. There’s a mutual respect there, I suspect because Garibaldi knows what it’s like to be backed into a corner.
Franklin’s use of stims has been nicely played, introduced slowly in season 2 and even mentioned in season 1 in relation to other characters. We’ve seen Franklin come under increasing stress — and, let’s face it, he NEARLY saved an entire race, only to be too late — and he’s finally hit his unravelling. A long way down from here for him, unfortunately. Richard Biggs is so good in this one.
Vir is off, with Londo getting him out of the way. Of course, this will lead to Vir taking the initiative, which in turn starts moving him towards being Emperor.
Londo is, I think, realising that he’s forfeited his own life. He’s trying to cling on to his old self, the one that sang opera and staged sumptuous banquet feasts, but there’s no going back.
Ta’Lon will be a recurring character, ultimately taking on a larger role at the end of the show.
The alien probe looks an awful lot like Vorlon tech. Perhaps there’s a story to tell there.
SPOILERS
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"Misery Loves Company" would last for 8 episodes. But Vir's absence works so well for his character one would still think it was part of the primary plan. It's good for Vir, since a little Minbari influence can give him a little wisdom, and it was probably a lot easier for Vir to do his own resistance work away from B5. I mean he's still caught out, and I think that plot point WAS part of the primary plan, but it plays out better having Vir on Minbar.
Oh, when Vir returns, pay attention to his costume. The Minbari tunic he'll be wearing is - literally - a "Minbari Hawaiian shirt," and has characters on it spelling out "Aloha" in Minbari characters.
Ta'Lon will go on to great things.
Mark Hendrickson's Narn's mini arc - from Narn observer working with Raiders in "Midnight on the Firing Line," to G'Kar's most fanatical disciple.
Despite efforts by security I'm fairly certain illegal weapons are still getting on B5. I'm pretty sure the last Nightwatch on the station in "Ceremonies of Light and Dark" didn't raid B5's armory. But my memory could be wrong.
Speaking of my memory, if it serves, the Garibaldi/Franklin discussion in this episode regarding alcohol and stim abuse will get flipped in season 5 when Garibaldi starts drinking again.
I don't think the Probe is related to the Vorlons. Sure, there are a couple of similarities in the design, and the seamless hull implies organic tech, but it also shares design similarities with Drazi ships. Sure, Vorlons have planet killers, but this doesn't seem their style. Or the Shadows for that matter. The rest of the First Ones are doing their own thing and ignoring the galaxy, so I think we have an unknown species, somewhere on par with the Minbari.
JMS has written of the Streib that they are not Shadow allies, just an independent species doing their own thing (which isn't very nice), so I think we can assume the probe builders are another independent species of assholes. Like the aliens in s5 "A View from the Gallery," who we never see before or after the episode.
It's a big galaxy, and I find it wonderful there are random species out there that don't impact the main narrative. One thing about B5 - hyperspace is very difficult to navigate, and basically all traffic from all races follows the jumpgate network. But this means most of B5 space is unknown. As an inexact metaphor, let's take a highway/motorway system and take out everything except Motorway Services/Rest Stops. B5 space means one travels on the motorways and only visits motorway services. Everything between the motorway services just doesn't exist. Well, it does exist, but, in this bad analogy only the people in the cities drive surface streets, and we never see them. Cuz we only get Motorway Services. Oh, sometimes someone takes the surface streets to motorway services - and those are our unknown aliens.
Non Spoiler:
Londo finally calls in his favor from "Voice in the Wilderness part 2." Delenn has fulfilled her promise. It's interesting to Londo first admit to being fond of Vir, then immediately turning around and insulting him. Of course Londo is burying much in that scene, but it highlights how, as he continues to descend into darkness (yes, he's just cruel to Na'Far, just because he can), how his relationship with Vir holds his few remaining embers of empathy and decency.
Vir's departure works wonders, but happens here for production reasons - JMS noted he wrote "trap doors" for every character in case he lost an actor - trap doors have been triggered for Cmr. Takashima, Dr. Kyle, Lyta Alexander (all in the switch from pilot to series), Sinclair, and Talia. Add Vir to the list.
Stephen Furst had the opportunity to be the lead in the Fox sitcom "Misery Loves Company." As an actor, a lead in a sitcom is better on the resume than a supporting role in a sci-fi series (along with more money, as he'd have been contracted for all 22 episodes of the sitcom, rather than 12 episodes of Babylon 5). JMS released Furst so he could take the new job. Obviously, with Vir on Minbar, there could still be opportunities to bring him back as a guest star, possibly as pre-recorded video segments like Sinclair's message in "The Coming of Shadows."
Yet moving Vir off the station feels like an organic plot point - it isolates Londo right when he needs a true friend, and resolves an outstanding plot thread from season 1 (Delenn's favor). If one has to trigger the emergency trap door, it couldn't have come at a better point in the narrative. It's like it was always part of the primary plan!
It also shows the advantages of pre-planning, as opposed to, say, randomly deciding during a writer's room meeting for a season finale, "Screw it, Galactica crew are really the 'Final Five' Cylons, and let's throw darts at a cast list to figure out who they are, because we haven't made progress in the past two hours of discussion." (It's quite fair to say the BSG "Final Five" revelation doesn't actually make sense, and makes many prior plot points utterly nonsensical.)
Franklin's got a problem. How much worse can it get? It's been a nice, slow burn of the issue. Franklin will never forgive himself for being just a little too late to save the Markab, will he? As a minor side note, we'll never see the cute Earthforce officer Franklin danced with again, because the show still won't let him have a love interest for more than one episode!