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Season 2 comes to a bombastic end, with multiple plot threads violently colliding. Perhaps even more so than the assassination of the President at the end of season 1, ‘The Fall of Night’ feels like a seismic shift in the foundation of the show from which there is no going back.
This episode aired 15 August 1995 here in the UK. By coincidence, I was on holiday in Cornwall with my family. I’d gone there with my mother, where we met up with my grandmother, aunts and cousins. This was an almost annual tradition back then, involving lots of beach, rock climbing, splashing about. I was 14 at the time.
On this particular holiday, my dad wasn’t able to come with us at the start due to work commitments. He drove across the country from Kent a week later.
This is relevant, don’t worry. I knew I was going to be in Cornwall for the final episode of season 2, and had carefully programmed the VHS to record the episode, with lots of buffer time to accommodate any scheduling delays. I don’t recall why I couldn’t watch the episode in the holiday cottage — perhaps there was no TV, or I knew I wouldn’t have an optimum viewing experience.
So my dad arrives a week later, and my first question is “was the VCR still all set to record the Babylon 5 episode?”
Looking a little shifty, my dad eventually admits that — as was his usual ritual when leaving the house for extended periods — he’d turned off all the power sockets in the house. Presumably in the 80s and 90s there was still a fear that house electrics could explode at any moment.
The episode would not have recorded. I’m pretty sure I behaved like a right little git for the rest of that holiday.
But here’s the thing, especially for any younger readers watching the show for the first time: back in 1995, there were no repeats in the UK. There was no catch-up. Digital video didn’t really exist yet, so you couldn’t download the episode, legally or otherwise. The episode would not be released on VHS for months. I don’t think I was even on the internet properly at this point, so couldn’t even look up a synopsis.
As a result, by the time season 3 rolled around in April 1996, I still had not seen the season 2 finale. I watched that first episode of the third season, desperately trying to decode what might have happened. Whenever I rewatch this episode, and Londo laments that he ‘saw nothing’ in the garden, I know how he feels.
Anyway.
After a fairly gentle opening, the Narn heavy cruiser showing up is a plot torpedo. It immediately puts Sheridan in an impossible situation, and we know that there’s going to be no happy ending here. It’s going to go wrong, it’s just a matter of how and when.
Having the Ministry of Peace and Nightwatch show up at the same time is a clever ratcheting of tension, and Mr Welles is a clever distraction from the ineffectual efforts of Lance. We assume for a while that Lance has good intentions, and he forms a jovial relationship with Ivanova. He’s a gentle grandfather figure, here to save the day with policy and rationality and good, old fashioned morality. When we realise that Lance is just as craven, just as compromised as everyone else in Earth Gov, it’s a shock. Sheridan is increasingly isolated, his position entirely undermined no matter which way he goes.
Meanwhile we have Welles sloughing about in the background, worming into everyone’s minds, an information vampire looking for any kind of dissent. Zack Allan again proves an excellent character in these scenes: he wants to get on with his job and not think too much about politics or the bigger picture, but events keep dragging him back. Jeff Conaway plays him so well.
Welles’ meddling also enables the main plot to accelerate. The arrival of the Centauri battleship is a herald of doom for everyone else. The music, the sound design, all hammers that point home. The activation of the new defence grid is punchy. The sight of starfuries going into open battle against Centauri fighters is inherently terrifying, because of the inevitable consequences. This conflagration is likely to lead to wider conflict.
This all comes on top of the League ambassadors raising the alarm about the Centauri widening their ambitions and creating more war fronts. There’s a real sense of the established order disintegrating.
There’s a brilliant moment when Londo reminds Sheridan that his jurisdiction ends at Babylon 5, and that he shouldn’t be meddling in wider political affairs. It’s a clever line because it’s true. Sheridan has no remit for getting involved in the Narn-Centauri conflict, or any wider wars. That’s an interesting problem for Sheridan’s character, someone more used to being on a mobile starship. It’s also an intriguing problem for the show itself, which remains largely locked to the space station.
The destruction of the Centauri vessel and the escape of the Narn ship always feels like the end of the episode. It would be a suitable finale! And then you realise that there’s still a chunk of episode left. At which point they pull off their most ambitious sequence to date.
I’ve always loved the core shuttle, and the way they shoot the stations from inside the train. I really like that Sheridan overrides the doors and jump out after spotting the bomb: no hesitation, no doubts. No plan either — but one problem at a time. That’s what he had to do in order to survive the next 10 seconds, and he does it. This whole episode shows Sheridan’s old instincts resurfacing, which makes Ivanova’s reminder of the Black Star defeat all the more relevant.
The visual effects hold up fairly well. This was 1995! Mind-blowing at the time, and other than some greenscreen fringing it’s good stuff, still. At last, after 44 episodes, we see Kosh for the first time, and it makes complete sense, as well as raising a bunch of fascinating and awkward questions. So…Vorlons are angels? Have they made themselves look like angels so as to fit into our mythology? Or do we have angels in our religions because it was Vorlons all along? How far back does the manipulation go? As for Londo not seeing anything, is that because the Centauri have prior dealings with the Shadows, and the Vorlons took steps to ensure they could observe silently?
Kosh rescuing Sheridan seems at odds with what you might expect the Vorlons to do. It’s hard to know whether they operate as a sort of hive mind single entity, or whether this would have been a decision made by Kosh alone.
Combined with the events of ‘Comes the Inquisitor’, I’m left feeling decidedly uneasy about the Vorlons and their motivations.
There’s a recalibration of the entire show by the end of ‘Fall of Night’. Sheridan and the others must now know that war is coming, is unavoidable. There are too many bad actors willing it into being. As Ivanova says, being a best hope for peace is no longer on the cards — but there’s a new responsibility, to be a last, best hope for victory.
Can you imagine if the show hadn’t been renewed? If this had been the final episode of the series? It’s a great finale on its own, but it works even better as a lead-in to season 3. At which point I should move over into spoiler territory.
Next up we begin season 3, with ‘Matters of Honour’.
‼️ SPOILER STUFF ‼️
There’s not much beneath the surface here, as it’s all out in front. The Vorlon stuff seems very positive and heroic on the surface, but certainly in retrospect is anything but. Although, this is also perhaps a hint that Kosh specifically is forming an unexpected bond with Sheridan, which will move him away from the Vorlon party line.
The Ministry of Peace and Nightwatch shift from background flavour to foreground threats, all smiles and teeth. We now know that C&C is undermined, and that Sheridan cannot trust all of his staff. That’s going to be a problem and come to a head during the breakaway next season.
We get Ivanova talking about her dream of captaining a starship, which will come to pass but rather earlier than intended due to Claudia Christian exiting the show at the end of season 4.
Otherwise, the stage is set for B5 to secede from Earth, and for Sheridan to expand his jurisdiction with the Rangers and White Star fleet. Londo and G’Kar are well and truly on their paths.
Oh, and Keffer is dead. Spoiler: he won’t be coming back. We’ll miss him (not really).
SPOILERS
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Keffer's flight recorder presents a whole host of questions. How, exactly, did a small module, set adrift in hyperspace, make it to ISN? We know hyperspace is full of eddies, turbulence and gravity gradients. We know ships need to be large to carry a powerful enough reactor to PUNCH A HOLE BETWEEN UNIVERSES. I'm pretty sure the odds against that recorder being found by chance are greater than 2^276,709:1 (possibly much higher).
I'm guessing the Shadows deliberately retrieved the beacon, and I'm guessing Justin or Morden arranged its release to ISN. Why?
Earth factions like IPX and Psi Corp already know about Shadow ships (have we ever discussed how the Psi Corp base at Syria Planum is also near the IPX excavation of a Shadow vessel on Syria Planum? No, because we haven't gotten to s3 "Messages from Earth" yet), and Earthforce is already building ships using reverse-engineered Shadow tech (we'll see Warlock-class in season 4, but the sequel series, "Crusade" has a flashback to the first test of a Shadow/Earthtech hybrid vessel, and that test occurs in 2258 - season 1).
Meanwhile, on Babylon 5 Kosh has revealed himself to a large group. By the millenia-old rules of engagement the Shadows and Vorlons operate under, the Vorlons have announced their presence to the galaxy at large. Hell, the episode ENDS with Sheridan and Ivanova talking about keeping things quiet for now, just before the ISN footage puts a "Dun-dun DUUUUNNNN!" on the season.
So - my hypothesis is the Shadows released the footage for two basic reasons. First, now Earth has a "new, external threat" to "discover [who they are]." The Shadow factions in Earthforce and Earthgov can use their "allies" as a threat to keep the populace nervous, so things like Nightwatch and Ministry of Peace are great ideas. Secondly, hey, the Vorlons just announced to those in the know they're back. The Shadows just returned the favor. Around the galaxy, certain people are now terrified.
ISN is not part of this plot. ISN will not be co-opted until "Severed Dreams." At least ISN anchor Jane will (eventually) make it out safely.
Speaking of Kosh, Simon hinted at, in his article, and the show will make explicit later on that Kosh, due to long contact with Minbari, humans, and other species, is the NICE Vorlon with some empathy. Kosh just fulfilled the remit given by Sebastian last episode - placing oneself in harm's way to save another. Kosh will do so again with his death. Make no mistake, season 4 will show Kosh and Kosh II/Ulkesh burning straight through B5's hull and destroying a Vorlon ship when fighting each other unsuited (and that's only the bits of Kosh hiding in Sheridan, not all of him. Shadows can absolutely be killed by PPG fire (see Season 4, "Into the Fire," or DVD Movie "The Road Home"), while Vorlons cannot. Individual Vorlons are more powerful than Shadows, while Shadows have superior tech (jump point vs hyperspace phasing). Kosh absolutely could fight off the Shadow assassins in s3 "Interludes and Examinations." Doing so would destroy the station and kill innocents. Kosh's death will be kept secret by the Vorlons (leaving, I suppose, most to just assume Kosh got a new, purple and red encounter suit), meaning Kosh dies alone with no glory, in the dark, to save others. Sebastian would be proud.
(Now you see why, last episode, I said I was holding back Sebastian commentary...)
Of course, it's most likely Kosh is the only Vorlon who would do so. The other Vorlons would cheerfully blow up Centauri Prime, just to get Londo. Because the Vorlons are assholes whose motivation is "WE'RE RIGHT, DAMMIT!"
And this is all foreshadowed, starting with Sebastian, and continuing this week.
The Shadows have Morden, attractive, charming, unassuming, and corrupted - one of the B5 novels (written from a JMS outline) shows how the Shadows corrupted him. Morden's wife and child were lost in a hyperspacial accident. The Shadows promised to get them back for him. Morden is corrupted by his love. Also note Morden wears a particular pendant. This was the request of actor Ed Wasser, who had the pendant as an object of meditation and contemplation. JMS added to this lore. Morden's pendant is an "Afran Love Stone." When Morden is playing with the pendant (and he will, on camera) he's thinking of his family. The stone was gifted to him by Anna Sheridan. Morden is a loving man corrupted into a "tool of chaos" by the Shadows. That said, most of the above comes from a novel unreleased when this episode first aired. At the time, all we knew was Morden was charming.
Still, the Vorlons took JACK THE FUCKING RIPPER and made him a servitor. They took a man of hate and turned him into a "tool of order." Oh, his existence is a crappy limbo, since they thaw him out to do a job, then stick him back in the freezer again until they need him.
On first watch, this disturbed me. As was intended.
Then we get to "The Fall of Night." Here we learn the Vorlons have, more millions of years, genetically programmed dozens of species to perceive a Vorlon as a holy being. Sheridan has it exactly right when he says "manipulates." Delenn, of course, raised in a religious caste, taught a prophecy (which is, of course, Sinclair's notes, probably vetted by Kosh) which has led her to alter her own DNA because it's the right time. She is a true believer in the Vorlons, and will overlook a little thing like her religion being a lie, because she, personally, knows an avatar of her deity. It'll take cynical Sheridan to see the truth.
Kosh taught Sheridan to fight legends. But the Vorlons are legends.
At the time of first airing, after this episode, I was distrustful of the Vorlons. Most of my friends were not, and were shocked and surprised when the planet killers came out. I was shocked - the narrative hadn't introduced that level of weapon yet - but not surprised.
The friends who remained trusting of the Vorlons were my friends of faith. We atheists twigged to it. Make of that what you will.
Another shame in PTEN holding back the final four episodes until fall comes from Ivanova's monolog. She ends the season with "Babylon 5 was our last, best hope for peace. By the end of 2259...it failed...[but]...became something greater - our last, best hope for victory." Would have been nice to let that speech sit for a few months before it returned as the s3 opening narration.
Oh. Outside the opening credits, this Ivanova voice over is the first time we've had a character narrating TO THE AUDIENCE. We've had voice over sequences before, but as digetic elements where it was clear a character was talking to another character. Of course this style break is also foreshadowing - for, at the very end of the series what do we learn? The TV show "Babylon 5" is, in fact, the TV show "Babylon 5" in-universe, as the entire series was an ISN docudrama. (How ISN learns about humanity a million years in the future will be ignored, because JMS had to pull that script out of his ass REAL fast when they suddenly got a season 5 renewal, and season 5 production slot #1 had to make the season 4 finale!)
Non Spoilers 2:
It's tough this week to discuss the themes of the episode. On past viewings this has been a thrilling episode with a really well staged space battle, a thrilling (an ambitious) core shuttle sequence, we FINALLY get to see Kosh leave his encounter suit after over two and a half years (counting from initial airing of the pilot), and advancement of multiple threads of the political and war threads of the tapestry.
But it's 2024, and the country of my birth just decided Nightwatch is a good thing, and the Centauri should be allowed to take over all the Non-Aligned Worlds. The bullshit of the real world US isn't going to be solved by *SPOILERS REDACTED*.
I was CRYING during Ivanova's closing monolog. B5 is no longer a Sci-fi show using WWII references in a future setting to create a narrative. It's hitting close to home, now. Usually I joke we've been in a "goatee Spock" timeline since 2016, but the US elected someone WORSE than Morgan Clarke, who *SPOILERS REDACTED*, *SPOILERS REDACTED*, not to mention in *SPOILERS REDACTED* when he *SPOILERS REDACTED*. It's hard to be worse than the guy who would *SPOILERS REDACTED*. Then again, Donnie would also *SPOILERS REDACTED*, although he'd never *SPOILERS REDACTED*.
So, yeah. 30 years later this show became something different.
Fine, off to SPOILERS for the last word on Keffer, and some stuff about Vorlons.